The Eighteenth International Symposium on Electronic Art, ISEA2012 Albuquerque: Machine Wilderness is a major international symposium and series of events exploring the discourse of global proportions on the subject of art, technology and nature.
This performance is supported by an Alt-w award from New Media Scotland.

BEAM is a high-tech music weekender, a playground of homemade instruments and sonic installations, where you can listen to, watch and learn how to create your own physically living electronic music.

LPM offers the unique opportunity to experience 4 days of audiovisual performances, VJing, workshops, panel discussion, product showcases presented by hundreds of VJs, audiovisual artists, new media professionals and thinkers from around the world.

The International Conference on New Interfaces for Musical Expression (NIME) is an annual interdisciplinary conference discussing contemporary topics in electronic musical interface design, research and practice. The NIME conference brings together researchers and practitioners from a range of academic fields including computer science, electrical engineering, human-computer interaction, musicology, electro-acoustic music, dance and composition, and has routinely attracted interest from electronic music industry as well.

Hosted by Harvestworks. Founded as a not-for-profit organization by artists in 1977, Harvestworks has helped a generation of artists create new works using technology. Its mission is to support the creation and presentation of art works achieved through the use of new and evolving technologies.

Also on stage Atau Tanaka & Adam Parkinson with their mobile musical instruments.

- Performing “Music for Flesh II”, interactive music piece for enhanced body;
- Performing “Nascent”, incarnated sound sculpture;
- Talk “Performing incarnated sound: the Xth Sense”.

“They, Who Sound” is a series in Houston for experimental sound-making, improvised music, free jazz, underground noise, electro-acoustics, psychedelia, improvised dance, the performance of art, and “musique brut”.

The ACM SIGCHI Conference on Human Factors in Computing Systems is the premier international conference on human-computer interaction. CHI 2012 focuses on the centrality of experience—from the models, theories and practical insights we need to understand and design for user experience to experiencing innovation through hands-on interactivity.

‘Liveness’ is the first Mexican gathering of international artists whose main interest lies in the critical investigation and distribution of a discourse around theater, dance or performance practices that rely on a tight relationship between body and technology.

‘Liveness’ is the first Mexican gathering of international artists whose main interest lies in the critical investigation and distribution of a discourse around theater, dance or performance practices that rely on a tight relationship between body and technology.

The Linux Audio Conference is the international conference about Open Source Software for music, sound and other media with Linux as the main platform. 2012 marks the 10th anniversary of the event and it is the first time the LAC takes place in the United States, namely at CCRMA, Stanford University.

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In collaboration with Electroacoustic Wales, Risk of Shock, GEMINi (Gestural Music Interaction) Research Group and Bangor Sound City. INTER/actions will be a three-day symposium and mini-festival focusing on performance and interaction in electronic music. Keynote presenter and composer: Karlheinz Essl, Vienna.

Throughout the Edinburgh International Science Festival, Inspace will be transformed into LateLab – a creative, social and participatory space for adults where they can make, do and interact with art, science and technology. LateLab is a collaboration between the Edinburgh International Science Festival, New Media Scotland and the University of Edinburgh’s School of Informatics.

BEAM festival presents a special one-off taster event held at café OTO. Following BEAM’s mission, the acts tonight were all featured at BEAM 2011 and all use unusual and/or homemade interfaces to perform.
Also on stage Atau Tanaka and Adam Parkinson, Bruno Zamborlin and Tom Bugs.

The Two Thousand + symposium is an annual research event in the area of music performance and new technologies, which has been running since 2006 at the School of Music and Sonic Arts, Queen’s University Belfast.

The Sonorities Festival is the longest-running new music festival in Ireland and is one of the cornerstone Festivals in Europe presenting innovative new music. It is run by the School of Creative Arts and the Sonic Arts Research Centre at Queen’s University Belfast.

“Music for Flesh II” and the Xth Sense technology have been selected to battle during the finals of this prestigious contest.
The Guthman Competition is an annual event to find the world’s best new ideas in musicality, design and engineering. Wired magazine has called the competition an “X-Prize for music,” and contestants have likened it to a TED Conference for new musical instrument designers.