Biotechnological Performance Practice / Pratiques de performance biotechnologique, eContact! 14.2, 2012.
Fluid flesh and rhythmic skin: on the unfinished bodies of Stelarc. In Meat, Metal and Code: Contestable Chimeras – Stelarc. Ed. Ryszard W. Kluszczyski. Gdansk: Lazdnia Centre for Contemporary Art, in print.
Nigredo: configuring human and technological bodies. In Experiencing the Unconventional – new materials of artists. Eds. Theresa Schubert-Minski and Adam Adamatzky. London: World Scientific, in print.
Incarnated sound in Music for Flesh II. Defining gesture in biologically informed musical performance. In Leonardo Electronic Almanac (LEA), Special Issue “Touch and Go”, Leonardo and MIT Press, 2012.
Performing Proprioception and Effort in “Hypo Chrysos”, an Action Art Piece for the Xth Sense. In eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.
Fractal Flesh — Alternate Anatomical Architectures: Interview with Stelarc. In eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.
Clean Digital Dancing, a review of Moving Without a Body (Portanova, 2013, MIT Press)
Mute Magazine, London, 2014.
Vanguard: Experience the performance of Marco Donnarumma
Installation Magazine, Los Angeles, 2013.
“Origination and Metacreation: a conversation with Ben Bogart”
Vague Terrain, 2011.
“Golden Shield Music, Sonification of IT censorship technologies”
Micro New Media Art Magazine, Is. 00, Shangai, China, 2011.
Vague Terrain, 2010.
Notes on Bimodal Muscle Sensing for the Sonification of Indeterminate Motion. In Prooceedings of the International Workshop on Movement and Computing (MoCo), IRCAM, Paris, France, 2014. ACM New York, NY, USA. DOI: 10.1145/2617995.2618028
Muscular Interactions: Combining EMG and MMG sensing for musical practice, co-authors: Baptiste Caramiaux, Atau Tanaka. In Proceedings of the Conference on New Interfaces for Musical Expression (NIME), Seoul, South Korea, 2013.
Body and Space: Combining Modalities for Musical Expression, co-authors: Baptiste Caramiaux, Atau Tanaka. Work-in-progress accepted at the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013.
Hypo Chrysos: Mapping in Interactive Music Performance Using Bioacoustic Sensing. In Proceedings of the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013.
Music for Flesh II: informing interactive music practice with the viscerality of the body system. In Proceedings of the New Interfaces for Musical Expression Conference (NIME), Ann Arbor, Michigan, USA, 2012.
Xth Sense: recoding visceral embodiment. In Proceedings of the Computer-Human Interaction Conference, Workshop on Liveness (CHI2012), Austin, Texas, USA, 2012.
A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour. In Proceedings of the 4th Pure Data Convention (PdCon), Weimar, 2011.
Xth Sense: a study of muscle sounds for an experimental paradigm of musical performance. In Proceedings of the International Computer Music Conference (ICMC), Huddersfield, 2011.
Xth Sense: researching muscle sounds for an experimental paradigm of musical performance. In Proceedings of the Linux Audio Conference (LAC), NUI Maynooth, Ireland, 2011.