Editor for

Biotechnological Performance Practice / Pratiques de performance biotechnologique
eContact!, 14.2, Canadian Electroacoustic Community, 2012.

 

Book Chapters

Nigredo: configuring human and technological bodies
Experiencing the Unconventional – new materials of artists. Eds. Theresa Schubert-Minski and Andrew Adamatzky. London: World Scientific, 2015.

Fluid flesh and rhythmic skin: on the unfinished bodies of Stelarc
Meat, Metal and Code: Contestable Chimeras – Stelarc. Ed. Ryszard W. Kluszczyski. Gdansk: Laznia Centre for Contemporary Art, 2015.

 

Journal Articles

Ominous: playfulness and emergence in a performance for biophysical music
Body, Space and Technology Journal, 14, Brunel University, 2015.

Understanding Gesture Expressivity through Muscle Sensing
Baptiste Caramiaux, Marco Donnarumma, and Atau Tanaka.
Transactions on Computer-Human Interactions (ToCHI), 21(6), 2015. ACM New York, NY, USA, DOI: 10.1145/2687922.

Incarnated sound in Music for Flesh II. Defining gesture in biologically informed musical performance
Leonardo Electronic Almanac (LEA), 18(3), Special Issue “Touch and Go”, Leonardo and MIT Press, 2012.

Performing Proprioception and Effort in “Hypo Chrysos”, an Action Art Piece for the Xth Sense
eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.

Fractal Flesh — Alternate Anatomical Architectures: Interview with Stelarc
eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.

 

Online Articles

Google New Breed: the commodification of digital art and its young minds
Furtherfield, London, 2014.

Clean Digital Dancing, a review of Moving Without a Body (Portanova, 2013, MIT Press)
Mute Magazine, London, 2014.

Vanguard: Experience the performance of Marco Donnarumma
Installation Magazine, Los Angeles, 2013.

Origination and Metacreation: a conversation with Ben Bogart
Vague Terrain, 2011.

Golden Shield Music, Sonification of IT censorship technologies
Micro New Media Art Magazine, Is. 00, Shangai, China, 2011.

Openlab Interview
Vague Terrain, 2010.

 

Conference Proceedings

Principles, challenges and future directions of physiological computing for the physical performance of digital musical instruments
Marco Donnarumma and Atau Tanaka.
Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM), Staatliches Institut für Musikforschung, Berlin, Germany, 2015.

Notes on Bimodal Muscle Sensing for the Sonification of Indeterminate Motion
Prooceedings of the International Workshop on Movement and Computing (MoCo), IRCAM, Paris, France, 2014. ACM New York, NY, USA. DOI: 10.1145/2617995.2618028

Muscular Interactions: Combining EMG and MMG sensing for musical practice
Marco Donnarumma, Baptiste Caramiaux, and Atau Tanaka.
Proceedings of the Conference on New Interfaces for Musical Expression (NIME), Seoul, South Korea, 2013.

Body and Space: Combining Modalities for Musical Expression
Marco Donnarumma, Baptiste Caramiaux, and Atau Tanaka.
Work-in-progress accepted at the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013.

Hypo Chrysos: Mapping in Interactive Music Performance Using Bioacoustic Sensing
Proceedings of the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013. ACM New York, NY, USA. DOI: 10.1145/2460625.2460705

Music for Flesh II: informing interactive music practice with the viscerality of the body system
Proceedings of the New Interfaces for Musical Expression Conference (NIME), Ann Arbor, Michigan, USA, 2012.

Xth Sense: recoding visceral embodiment
Proceedings of the Computer-Human Interaction Conference, Workshop on Liveness (CHI2012), Austin, Texas, USA, 2012.

A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour
Proceedings of the 4th Pure Data Convention (PdCon), Weimar, 2011.

Xth Sense: a study of muscle sounds for an experimental paradigm of musical performance
Proceedings of the International Computer Music Conference (ICMC), Huddersfield, 2011.

Xth Sense: researching muscle sounds for an experimental paradigm of musical performance
Proceedings of the Linux Audio Conference (LAC), NUI Maynooth, Ireland, 2011.