- AI and corporeal knowledge: inventing and performing with prostheses and sonic organs
Frontiers in Computer Science, Sec. Human-Media Interaction, Volume 7, 2025
- Listening through deafness
CTM Magazine, January 2024
- Against the Norm: Othering and Otherness in AI Aesthetics
Digital Culture & Society, vol. 8, no. 2, 2022, pp. 39-66
- AI Art Is Soft Propaganda for the Global North
Opinion piece, Hyperallergic, October 24, 2022
- Decolonizing the Machine: Race, Gender and Disability in Robots and Algorithmic Art
Boris Abramovic, Grisha Coleman, Marco Donnarumma, Elizabeth Jochum, Christina Schoux Casey. In Proceedings of Politics of the machines - Rogue Research 2021 (POM 2021)
- Across Bodily and Disciplinary Borders. Hybridity as methodology, expression, dynamic
Performance Research, 25:4, 36-44, 2020.
- Artificial Intelligence in Music and Performance: A Subjective Art-Research Inquiry
Baptiste Caramiaux and Marco Donnarumma. In Eduardo R. Miranda (Ed.) Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity, London: Springer, 2020
- Cutting into the Skin. Ritual, Algorithms, and Abjection in Amygdala
In Ryszard W. Kluszczyński (Ed.), Beyond Borders: Processed Body – Expanded Brain – Distributed Agency. Gdańsk - Łódź: LAZNIA Centre for Contemporary Art - Łódź University Press, 2019
- The Body as Musical Instrument
Atau Tanaka and Marco Donnarumma. In Youn Kim and Sander Gilman (Eds.) Oxford Handbook on Music and the Body. Oxford: Oxford University Press, 2019
- What if it won’t stop here?
Archive Books / Graduiertenschule, Berlin U. of the Arts, 2018
- Beyond the Cyborg: Performance, attunement and autonomous computation
International Journal of Performance Arts and Digital Media, 13(2). London: Routledge, 2017
- Human Bodies, Algorithms and Intuition: A Commentary
In Michael Lyons and Alexander Refsum Jensenius (Eds.), The NIME Reader. Berlin: Springer, 2017
- On Biophysical Music
In Eduardo R. Miranda (Ed.), Guide to Unconventional Computing for Music. Berlin: Springer, 2017
- Embodiment, Incorporation and Affect: Reflecting on the Interface
In Vit Bohal and Dustin Breitling (Eds.) Allegorithms. Prague: Centre for Critical and Cultural Theory, 2017
- Artists wanted: to question, imagine and reflect on the relationship of humans and technology
Baltan Quarterly, N.4, Baltan Laboratories, 2016
- Configuring Corporeality: Performing Bodies, Vibrations and New Musical Instruments
Ph.D. Thesis, Goldsmiths College, University of London, 2016
- Biophysical Music: Sound and Video Anthology
Computer Music Journal, 39(4). MIT Press, 2015
- Ominous: Playfulness and Emergence in a Performance for Biophysical Music
Body, Space and Technology Journal, 14. Brunel University, 2015
- Fluid Flesh and Rhythmic Skin: On the Unfinished Bodies of Stelarc
In Ryszard W. Kluszczyński (Ed.), Meat, Metal and Code: Contestable Chimeras – Stelarc. Gdansk: Laznia Centre for Contemporary Art, 2015
- Clean Digital Dancing, a Review of Moving Without a Body
Mute Magazine, London, 2014
- Google New Breed: The Commodification of Digital Art and its Young Minds
Furtherfield, London, 2014
- Nigredo: Configuring Human and Technological Bodies
In Theresa Schubert & Andrew Adamatzky (Eds.), Experiencing the Unconventional – Science in Art. London: World Scientific, 2014
- Incarnated Sound in Music for Flesh II. Defining Gesture in Biologically Informed Musical Performance
Leonardo Electronic Almanac (LEA), 18(3). Leonardo and MIT Press, 2012