‘Pour donner naissance à un nouvel être chorégraphique’

23 April 2018

La thématique de l’enfantement traverse votre travail, d’où vous vient cet intérêt?

“L’enfantement me fascine car je vois la naissance comme une tabula rasa, un point zéro où rien n’existe et où tout peut arriver. Et qu’est-ce que la naissance, sinon le rituel primitif?”

‘We humans are not any more important than any other creature’

24 January 2018

It seemed that all that matters is happening on and in your body: how important is the environment for your performances, the audience as much as the settings?

“I refer to my pieces as “experiences” as I hope they reach the audience in a visceral way. To that end I work with sound in particular ways, dealing with psycoacoustic as well as vibrationals phenomena in space, such as standing waves or beating effects.”

‘Corpus Nil: A Performance by Man and Artificial Intelligence’

4 September 2017

You say that the human body in the performance is ‘defiled’ by algorithms – what do you mean by that?

“Defiling means to damage the purity of something, to profane something sacred. At the core of our Euro-American culture is the idea of the human body as a pure, whole entity isolated and independent from any other form of life.”

‘Hybrid Aesthetics: The mixture of Body, Technology And Sound’

13 March 2017

“Have you ever seen baby horses when they’re just born? It’s really fascinating because they have these massive legs, which are too big for their tiny bodies… and then they learn how to stand up and run in just few hours after their birth. You see, their legs are so disproportionately big in respect to the rest of their bodies.”