Keywords: sound art, body art, physiological computing, sensuality, trance

Corpus Nil

World Premiere: 6 February 2016, ZKM Center for Art and  Media, Karlsruhe

Human bodies and identities are continuously categorized, online and offline, by artificially intelligent algorithms and machines. But what if, by contrast, artificial intelligence could be used to contaminate human bodily experience? How does a body defiled by algorithms look and move like?

Corpus Nil is a performance for a human body and an artificially intelligent machine. A naked body, partly human and partly machine, lies on stage. It is an amorphous cluster of skin, muscles, hardware and software. Biophysical sensors attached to the performer’s limbs capture bodily electrical voltages and corporeal sounds and feed them to the machine.

Thanks to a sophisticated set of algorithms, each nuance of the body’s motion sets off a synaesthetic play of sound and light directed by the machine. The biological signals of the body influence the choices of the machine, but cannot control what it will do. In turn, the auditive and visual saturation produced by the machine influences the body’s movement, but disrupts its perception and motor skills at the same time. Despite being intimately linked to the human body, the machine is autonomous and chooses by itself how to respond to the performer`s movements.

In an unstable feedback loop, the body and the machine pollute each other. The amorphous being on stage slowly evolves into a unfamiliar creature. It reconfigures its parts through a sensuous choreography pushing the limits of muscular tension, limbs torsion, skin friction and equilibrium. The corporeal sound frequencies are spatialised using a multi-channel sound system surrounding the audience, while bioelectrical flashes of light rhythmically illuminate the space.

Through sound, light and optical illusions, the physical mutation of the body impacts and submerges the audience, inducing a trance-like experience. As the body and the machine form a partial, unknown and yet graceful being, spectators feel as if its heart was beating within their own bodies. It is unclear whether the new body is human enough, or perhaps, the common meaning of ‘human’ is not enough to describe it.

Corpus Nil is part of the 7 Configurations cycle (2014-2019), a series on the conflicts surrounding the human body in the era of artificial intelligence (AI).

Reviews

“From that skin covering the muscles and bones that vibrate, an awareness of physicality and a critique that is not didactic overwhelms me, it’s a tangible body. The political body.”
Angelo Di Bello, Arshake

“It defies categorization.”
Prix Ars Electronica 2017 Jury

“Raw. Poetic. Surreal.”
Mette Reitzel, Documentary Filmmaker

Awards

2018, Biennial Bains Numériques (FR)
1st Prize for Performing Arts

2018, Biennial Bains Numériques (FR)
Press Award

2017, Prix Ars Electronica (AT)
Award of Distinction (2nd Prize) for Sound Art

 

Shows

  • Settimana dell’accessibilita’
    Curated by Avant Festival, Lecce, IT 2024
  • Centro Studi sul Pensiero Contemporaneo
    Cuneo, IT 2023
  • Lunchmeat Festival
    Prague, CZ 2021
  • Simposio
    Villaggio ENI, Borca di Cadore, IT 2019
  • Resonans: Unfolding Marco Donnarumma
    KU.BE, Copenhagen, DK 2018
  • Moon Ride Festival
    Tabačka Kulturfabrik, Košice, SK 2018
  • Bains Numérique Biennial
    Centre des Arts (CDA), Enghien, FR, 2018
  • Rebel Machines/Subversive Bodies
    Macao, Milan, IT 2018
  • ArtSci Salon
    Luella Massey Studio Theater, Toronto, CA, 2018
  • Vivarium Festival
    Maus Habitos, Porto, PT, 2018
  • Bienal de Arte Digital
    Oi Futuro do Flamengo, Rio de Janeiro, BR, 2018
  • Ars Electronica Festival
    Big Concert Night, Linz, AT, 2017
  • NEU Festival for Future Technology
    Presented by CTM Festival and Goethe-Institut Beijing, CN, 2017
  • MOCO, Intern. Conference on Movement Computing
    Goldsmiths, U. of London, UK, 2017
  • Perform Tech
    Fabryka Sztuky, Lodz, PL, 2017
  • Athens Digital Arts Festival
    Athens, GR, 2017
  • The Body – Group Exhibition, MUOArt Gallery
    Beijing, CN, 2017
  • Feria del Millón, Contemporary Art Fair, Voltaje
    Bogotá, CO, 2016
  • No Patent Pending – Nomadic Performance Series
    The Hague, NL, 2016
  • Retune Festival for Art, Design and Technology
    Berlin, DE, 2016
  • ReSense.MOV Festival of Movement and Performance
    Berlin, DE, 2016
  • The Game Europe Plays – Body Tech
    London, UK, 2016
  • Creative Tech Week
    New York, NY, US, 2016
  • Defibrillator Performance Art Gallery
    Chicago, IL, US, 2016
  • Sonic Cyborgs Creative Arts Across Disciplines
    Vassar College, Poughkeepsie, NY, US, 2016
  • GLOBALE – ZKM Center for Arts and Media
    Premiere, Karlsruhe, DE, 2016
  • NIME, New Interfaces for Musical Expression
    Preview, Baton Rouge, LA, US, 2015

Format

Piece for one human performer and artificial intelligence algorithms.
Duration: 20-25 minutes
Media: custom-built XTH Sense bioacoustic sensors, interactive machine learning, computer-processed sound, multi-channel sound diffusion, custom interactive lighting, black paint

Credits

Concept, artistic direction, staging, light design, choreography and performance: Marco Donnarumma
Music, interaction programming, physiological computing software and hardware: Marco Donnarumma
Additional machine learning programming: Baptiste Caramiaux
Live photography: Onuk | ZKM – Zentrum für Kunst und Medien
Artwork’s description texts: Marco Donnarumma
External eye: Margherita Pevere, Alessandro Altavilla
Video trailer: Marco Donnarumma

An artwork and production by Marco Donnarumma. Funded by the European Research Council and supported by EAVI, Goldsmiths, University of London.