Keywords: performance, sound, light, dancetheater, participative, cyborg

Ex Silens

World Premiere: CTM Festival, February 2024, Radialsystem, Berlin

What is deafness if not another mode of perception? What is a cyborg if not an exploded mirror of today’s corporeal experience? Ex Silens combines movement, sound, space and technology to dive deep into the corporeal knowledge at the edges of experience.

The piece invites audiences into a radically alternative sensorium, a perceptual place where the “normal” does not exist. Here they encounter an otherworldly, ingenuous creature and a bare bones, posthuman totem. With the audience as accomplices, the creature and the totem touch and fuse with one another, entering a material, sonic, and conceptual feedback.

Tender and extreme at once, Ex Silens is a ritual of sensory reorganization. Music and light stem from biosensors on the performer’s body, creating a synesthetic relation between movement, sound and light. The audiovisual composition, experienced through eight subwoofers, an ambisonic speaker system and a rig of interactive lights, produce trance-inducing seismic waves, while a choreography of touch, caresses and improvised interactions unites audience and performer in a strange and engrossing intimacy.

Cochlear implants and AI hearing algorithms are extracted from their capitalist black box, subverted and turned into sonic organs, biomachines with their own agencies. They respond to the creature’s movement, mingle with the public and amplify sounds from muscles, heart and blood to physically diffuse them, literally, through the bodies of audience.

These new organs, conceived and handcrafted by the artist, are far from individual aiding tools; they are organs of sharing. They do not try to repair a loss, but rather magnify a kaleidoscopic sound world that has always been there, mobilizing thus collective, sensible forms of being.

Ex Silens offers a complete audiovisual experience to d/Deaf and hearing audiences. Each individual can participate in the performance according to their sensory configurations. Ex Silens is part of I Am Your Body (2022-present), a series of works investigating deafness, sound, and (artificial) intelligence through research driven by d/Deaf and hard-of-hearing people and facilitated by Donnarumma – himself late-deafened.

Reviews

“Never in my life have I felt such an intense urge to become included in a performance by being touched by a performer, […] rarely in my life have I felt such a need to bawl my eyes out after a performance (which I then didn’t do).”
Kristoffer Cornils, Konkrit

“Touching, also frightening, but above all inspiring, for, at the end of the show, one brings home many new questions.”
Thomas Venker, Kaput Magazin

“Donnarumma develops instruments to turn the inaudible into perception.”
Sarah Heppekausen, Kultur.West

Audience feedback

“I’ll remember this performance for the rest of my life wtff.”
make_a_spectacle

“Flesh, heartbeat and low frequencies. That was stunningly intimate.”
Olya Karlovich

Format

Evening-length piece for solo performer, distributed AI prostheses and (un)sound.
Duration: 70 minutes
Media: Artificially intelligent sensory prostheses using artificial life algorithms and interactive machine learning, biosensors, interactive LED lighting, computer-processed sound, multi-channel sound diffusion, contact microphone, metal sheet, wooden box, 60-meters audio cables.

Credits

Concept, artistic direction, performance, choreography, dramaturgy, interactive AI music and programming: Marco Donnarumma
Prostheses’ concept, morphology, engineering, fabrication and AI programming: Marco Donnarumma
Collaborative research on hardware and AI software: Intelligent Instruments Lab at the Iceland University of the Arts
Stage design: Marco Donnarumma, Anna Cingi
Light design: Andrea Familari
Prostheses’ visual design, 3D modeling and 3D printing: Anna Cingi
Additional prostheses’ 3D modeling and 3D printing: Christian Schmidts
Collaborative research group: Wojciech Czernia, Adriane Große, Ann-Catrin Gruber, Martin Holst, Mara Matzke
Live sound technician: Leon Dohr
Live light operator: Desirée García López
Artwork’s description texts: Marco Donnarumma
Live photography: Eunice Maurice and Stefanie Kulisch for CTM Festival, Caroline Bittencourt for MINU Festival, Chris Scott for Edinburgh Futures Institute
Photography: Manuel Vason
Video trailer: Marco Donnarumma
Camera for video trailer: Daniele Lucchini
External eye: Margherita Pevere, Jan Rohlf
Production: Kotryna Slapsinskaite

Ex Silens is an artwork and production by Marco Donnarumma. Co-produced by PACT Zollverein and with scientific support by the Intelligent Instruments Lab at the Iceland University of Arts in Reykjavík. Funded by the Ministry of Culture and Science of the State of North Rhine-Westphalia as a Medienkunstfellow.

Shows

  • Forthcoming: 31st Festival delle Colline Torinesi, Fondazione Teatro Piemonte Europa
    Santa Pelagia Church, Turin, IT, 2026
  • MINU Festival
    Ku.Be, Copenhagen, DK, 2025
  • ORF musikprotokoll im Steirischen Herbst
    Dom im Berg, Graz, AT, 2025
  • UK Premiere: Edinburgh Futures Institute
    EFI, Edinburgh, UK, 2024
  • CH Premiere: MESH Festival
    Haus der Elektronischen Künste – HeK, Basel, CH, 2024
  • internationale tanzmesse nrw
    Project presentation. Düsseldorf, Krefeld & Leverkusen, DE, 2024
  • World Premiere. CTM Festival
    Two shows. Radialsystem, Berlin, DE, 2024
  • Public preview. I Am Your Body
    PACT Zollverein, Essen, DE, 2023