Artist and scholar.
Born in Naples, Italy, 1984. Lives and works in Berlin, Germany.
A unique presence across contemporary performance and media art, Marco Donnarumma distinguishes himself by his use of emerging technology to deliver artworks that are at once intimate and powerful, oneiric and uncompromising, sensual and confrontational. Working with biotechnology, biophysical sensing, as well as artificial intelligence and neurorobotics, Donnarumma expresses the chimerical nature of the body with a new and unsettling intensity. He is renown for his skill in using sound, whose physicality and depth he exploits to create experiences of instability, awe, shock and entrainment.
In over a decade of practice Donnarumma has developed a deeply transdisciplinary expertise, drawing equally from live art, biological science, computation and cultural studies. He holds a Ph.D. in performing arts, computing and body theory from Goldsmiths, University of London, and is currently a Research Fellow at the Berlin University of the Arts in partnership with the Neurorobotics Research Lab Berlin. His writings on body, technology and performance studies are published by MIT Press, Oxford University Press and Springer.
Donnarumma’s arresting visions of the body won several awards and toured more than 60 countries worldwide with shows at Venice Biennale (Venice), Steirischer Herbst (Graz), ZKM Center for Art and Media (Karlsruhe), Sónar+D Advanced Music Festival (Barcelona), ISEA International Symposium on Electronic Art (Albuquerque), FILE Electronic Language Festival (Sao Paulo), RPM: Ten Years of Sound Art in China (Shanghai), Laboratorio Arte Alameda (Mexico City), Némo Biennal of Digital Arts (Paris), transmediale Festival for Art and Digital Culture and CTM Festival for Adventurous Music and Art (Berlin).
Articles and interviews featuring Donnarumma’s work appear on BBC, The WIRE, Forbes, Reuters, ARTE.TV, Wired, IEEE, RTVE, El Pais, CreativeApplications, ResonanceFM and The Creators Project. He was granted fundings from the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council, and received commissions from Festival transmediale, 4DSOUND, European Conference of Promoters of New Music and STEIM.
2012/16 Ph.D. Arts & Computational Technology, Goldsmiths, University of London
2010/12 MScR with Honors Sound Design, University of Edinburgh
2004/07 BA with Honors New Technologies for the Arts, Venice Academy of Fine Arts
2014 Nigredo, First Prize, Cynetart Award for Computer Based Art, DE
2013 Nigredo, Second Prize, TransitioMX Award for New Media Art, MX
2012 XTH Sense/Music for Flesh II, First Prize, Margaret Guthman New Musical Instrument Competition, US
2010 Golden Shield Music, Finalist, Screengrab New Media Art Award, AU
2009 Risveglio: Venezia, Honorary Mention, Venice Film Meeting Award, IT
2006 TheSAD, First Prize, BLM International Electronic Music Award, IT
2005 Autoctono, First Prize, Live!iXem Award for Live Media and Electronic Arts, IT
2016/18 Research Fellowship, Berlin University of the Arts
in partnership with the Neurorobotics Research Laboratoy at Beuth-Hochschule für Technik Berlin.
2012/14 Fellowship, Creativity + Technology = Enterprise, Harvestworks and The Rockefeller Foundation, US
2012/15 European Research Council (ERC) Scholarship, Goldsmiths, University of London, UK
2012 Andrew Grant Bequest Fund, Edinburgh College of Art, UK
2012 Alt-w Production Grant, New Media Scotland, UK
2011 Creative Scotland International Funding, UK
2015 4DSound, New Work Commission and Residency for 0-Infinity, HU
2014 transmediale / Art Hack Day, New Work Commission for Septic, DE
2013 STEIM, New Work Commission and Residency for Nigredo, NL
2012 European Conference of Promoters of New Music, New Work Commission for Ominous, BE
2011 Danish National School of Theatre and Contemporary Dance, Artistic Residency, DK
2011 New Media Scotland, Work Development and Residency, UK
2005 Laboratory of Stage Arts, New Work Technical Development, LV